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                  <text>The Project of Becoming:  The LGBT Movement’s Elastic Resistance in Post-Soviet Countries </text>
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                  <text>What began as a digital anthropological project, rhizomed into a project not contained to one specific discipline.   ‘The Project of Becoming’ critically investigates the multivalent uses of maps in exposing the contemporary LGBT community of post-socialist states in Eastern Europe. As full citizenship  being denied due to their sexual orientation, this purportedly  ‘off the grid’ community becomes a case study exposing the dilemma of collecting data while remaining ethical to the community one is trying to render in the name of research.  This project retraces the multiple research circuits used in coming to this conclusion.  It is through these taxonomies a recycling of the term Queer Space is ultimately reanimated and shown crossing the multiple territorial divisions among: digital technology, the humanities and public displays of activism, where each becomes sites of resistance for critical engagement.</text>
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                <text>This diagram is the data companion to the video 'A Condensed History of Homosexuality and Communism'. This diagram demonstrates a very simple path chosen, pointing to the method one could take in exploring this topic.  Rather than examining the full narrative, I have chosen to present the lineage and linkage between Stalin's criminalization of homosexuality.  Prior to Stalin's rise to power, homosexuality was accepted by the socialist state.  In this diagram, we see a very particular branch of the story, Stalin's homophobic legacy still present in today's post-Soviet/ post-Socialist countries.</text>
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                <text>The poster for the series of lectures on the Silk Road in Penn Museum. Also one typical iconic image of the mass's imagination of the term.</text>
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                <text>This abstracted map was created by reviewing hours of footage from the Warsaw Pride Parade.  During research it became apparent these routes are not publicly distributed online leading one to speculate this removal from the public domain could be for safety concerns.  Not unique to this region, pride parades often see a fair share of protests by anti-LGBT advocates.  More pressing to this region has been the often recorded violent reactions to these parades. By not having a map, it makes it harder for those against homosexual rights to protest these ephemeral critical masses.  It would make logical sense to remove these from the internet thus allowing them  to continue while curbing these violent reactions. Here, I parallel this notion,  removing any physical mention of the city and place with the exception of the background map of Poland. The use of the 'pink curtains' is a term developed in reference to LGBT cultural in the post-Socialist countries, weaving together the idea of the Iron Curtain with the unofficial color of the LGBT movement: pink.</text>
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                <text>Using the software Screenflow, I was able to track the real time approach to document my workflow. It is in these digital d&amp;eacute;rives I collapse and combine the internet with the physical, questioning its daily function and usage as a 'thing' we inhabit. In this video, I briefly explore the climate around Croatian views on homosexuality, revealing the research methods and pathway I approached this topic. This video is meant to be informative, and is a snapshot of the process. In thinking about collaborative approaches, I felt the need to make transparent the process used to extend how we as researchers can better and more quickly learn about particular subjects and events through our hyperconnected lives online.&lt;br /&gt;&lt;br /&gt; link to video: https://youtu.be/pQ98cG9u8_8</text>
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