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                  <text>Salonika_ Multiconfessionalism and Urban form</text>
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                  <text>Dimitris Venizelos</text>
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                <text>fin-de-siecle Salonica. </text>
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                <text>This short video is a collection of images of Salonika before the big fire. </text>
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                <text>created by the Facebook group 'Old Photos of Thessaloniki' (www.facebook.com/groups/oldthessaloniki­) and Bernard Maurice</text>
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                <text>https://www.youtube.com/watch?v=z9kPFagUcoA</text>
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                <text>Published on Jun 25, 2014&#13;
A film by the Facebook group 'Old Photos of Thessaloniki' (www.facebook.com/groups/oldthessaloniki­) and Bernard Maurice. Find out more about Joseph Pigassou here: http://joseph-pigassou.blog4ever.com/ Music by the Cinematic Orchestra from their album 'The Crimson Wing'.</text>
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                <text>This video should only be used for non-commercial purposes. The photos are strictly copyright and cannot be used without permission.&#13;
Category: Education&#13;
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                <text>Housing in Bahmashir</text>
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                <text>Crinson, Mark. “Abadan: Planning and Architecture under the Anglo-Iranian Oil Company.” Planning Perspectives 12, no. 3 (1997): 341–59. doi:10.1080/026654397364681, pp 349.</text>
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                <text> Crinson, Mark. “Abadan: Planning and Architecture under the Anglo-Iranian Oil Company.” Planning Perspectives 12, no. 3 (1997): 341–59. doi:10.1080/026654397364681, pp 349.</text>
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                <text>The houses in Braim were designed to house workers and aimed to appease the 'local' architecture and needs. These houses were much smaller than the ones in Bawarda and Braim, which housed 'foreigners'. The houses were designed as a series of row houses with a central courtyard in the middle and averaged 120 m2 and had a density of 26-31 units/hectare.</text>
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                <text>Plan of Bawarda.</text>
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                <text>The city of Bawarda was designed by James M. Wilson in 1926 and was inspired by Lutyens’s remodelling of the Garden City and City Beautiful ideas in New Delhi (1911–1940). Bawarda was an attempt at social and ethnic mixing and also offered larger institutional buildings such as the Abadan Technical Institute. </text>
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                <text>Crinson, Mark. “Abadan: Planning and Architecture under the Anglo-Iranian Oil Company.” Planning Perspectives 12, no. 3 (1997): 341–59. doi:10.1080/026654397364681, pp 349.</text>
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                <text>Crinson, Mark. “Abadan: Planning and Architecture under the Anglo-Iranian Oil Company.” Planning Perspectives 12, no. 3 (1997): 341–59. doi:10.1080/026654397364681, pp 349.</text>
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                <text>Aerial View of Bawarda's Center.</text>
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                <text>The city of Bawarda was designed by James M. Wilson in 1926 and was inspired by Lutyens’s remodelling of the Garden City and City Beautiful ideas in New Delhi (1911–1940). Bawarda was an attempt at social and ethnic mixing and also offered larger institutional buildings such as the Abadan Technical Institute. </text>
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                <text>Crinson, Mark. “Abadan: Planning and Architecture under the Anglo-Iranian Oil Company.” Planning Perspectives 12, no. 3 (1997): 341–59. doi:10.1080/026654397364681, pp 349.</text>
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                <text>Crinson, Mark. “Abadan: Planning and Architecture under the Anglo-Iranian Oil Company.” Planning Perspectives 12, no. 3 (1997): 341–59. doi:10.1080/026654397364681, pp 349.</text>
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                <text>These houses which are designated for Senior European personnel were based on the 'bungalow' prototype which were set on large green lawns. They are typically surrounded by parks and gardens and each house was  lined with English hedges. Unlike the workers' houses, these houses are typically built on lots around 1,000 m2 and there were 4.5 units per hectare.</text>
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                <text>Crinson, Mark. “Abadan: Planning and Architecture under the Anglo-Iranian Oil Company.” Planning Perspectives 12, no. 3 (1997): 341–59. doi:10.1080/026654397364681, pp 349.</text>
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                <text>Crinson, Mark. “Abadan: Planning and Architecture under the Anglo-Iranian Oil Company.” Planning Perspectives 12, no. 3 (1997): 341–59. doi:10.1080/026654397364681, pp 349.</text>
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                <text>The British Departure on the Mauritius</text>
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                <text>Damluji, Mona. “Documenting the Modern Oil City: Cinematic Urbanism in Anglo-Iranian’s Persian Story.” Ars Orientalis, Online, 42 (October 2012). http://www.asia.si.edu/research/articles/documenting-the-modern-oil-city.asp.</text>
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                <text>In 1933, an agreement was negotiated to increase the terms of the D’Arcy concession to 1994; however by 1951&#13;
said contract was annulled and the British were expelled from the Braim with riots which came to be known as&#13;
the Abadan Crisis. In October 1951 all the remaining British employees and their families gathered in Gymkhana Club and boarded the Mauritius and slowly headed up the river with the band playing “Colonel Bogey”.</text>
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                <text>Aerial view of the Garden Suburb of Bawarda.</text>
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                <text>"‘Since the War’, Wilson reported, ‘a very great and widespread spirit of Nationalism has been introduced and fostered throughout the Middle East. . . Though the Company probably incurs less of this [jealousy] than the&#13;
political services do elsewhere, it must introduce measures to meet it’. If the new concession was one such measure then housing was to be another. Wilson pointed&#13;
particularly to the disparities in housing provision as contributing most to the dangerous divide between the Iranian and British employees. He proposed to meet this problem with a new residential area, to create Bawarda as a kind of manifesto of racial mixing, an experiment in non-segregation whose very design would ‘afford that link or bridge over the present gulf between these two groups of individuals’" [Quoted in Mark Crinson, “Abadan: Planning and Architecture under the Anglo-Iranian Oil Company,” Planning Perspectives 12, no. 3 (1997): 341, doi:10.1080/026654397364681.]</text>
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                <text>1920s</text>
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